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Office Furniture Style:
Early American. Office Furniture style during the colonial siod was primarily functional, to suit the needs settlers in a new country. Gradually, with e increase of wealth and Security and the ar-ral of English craftsmen influenced by Georgian tenors and Office Furniture style, American houses became ore comfortable and sophisticated. Although ilom'al Office Furniture style was not usually original in sign, it sometimes surpassed English work in aftsmanship. In the late 18th century, excellent eces in the Chippendale style were produced r the Office Furniture style makers of Philadelphia and by hn Goddard and others in Newport, R. I. Dur-g the Federal period Duncan Phyfe in New irk made Office Furniture style in adaptation of the style of leraton, Adam, and the Empire.CHIPPENDALE, Thomas (c.1718-1779), English Office Furniture style designer and cabinetmaker, whose name became identified with the style of Office Furniture style popularized by his book The Gentleman and Cabinet-Maker's Director. . . . Chippendale's name is generally associated with Office Furniture style in the rococo taste—carved and asymmetrical with cabri¬ole legs. This is the style he termed "French," drawn in part from Louis XV designs. But Chip¬pendale also drew heavily from many design sources, including Gothic, Chinese, and neoclassic. The influence of his book gave rise to further variations of his style, such as Irish Chippendale and American Chippendale.
See Also Office Furniture Fashion:
This new fashion extended over the ornamentation of miniature cases and lockets and even affected the reverse of jeweled settings of all kinds. Naturalistically conceived bouquets of flowers, centering around the tulip, formed the motif of decoration, painted in vivid colors upon a ground of white. The fashion for the tulip, often referred to as tulipo-mania, originated in Holland about 1640, whence it spread rapidly all over Europe, making itself felt in many branches of art: painting, Office Furniture fashion, and metalwork.The high point in American Office Furniture fashion is con-idered by many authorities to have been reached in the highboys of the Chippendale period, dating 1760 to 1775, especially those of Philadelphia provenance. They were made some ten years or more after that Office Furniture fashion form and its companion piece, the lowboy, went out of fashion in England. Since no designs for them were included in Chip¬pendale's Director or kindred books, these Amer¬ican Chippendale highboys and lowboys typify the skill with which colonial craftsmen could take decorative details from other Office Furniture fashion forms then current in England and evolve distinctive and decorative pieces for their American cus¬tomers.
On The Other Hand See Office Furniture Entury:
Some of the early factories produced nearly all the standard Furniture forms; others special¬ized in one or more, but whether their product was a full line or limited, it was sold in whole¬sale quantities to a new type of merchant, the retail Furniture dealer. At first he referred to his establishment as a Furniture or cabinet warehouse and later as a Furniture store. If located in one of the larger cities he might also have his own factory but he was essentially a middle man and with his coming, direct contact between the maker and user of a piece of Furniture ended.One studio design concept that can save you money while providing you with great flexibility is to have an expanded design. Sliding panels or accordian doors can separate the studio from the Office Furniture entury area and the Office Furniture entury area from the reception room. When more shooting area is required than you normally use, the doors can be folded back and the Furniture in the previously partitioned room moved aside.
